Contemporary Art in the Americas Arte Contemporáneo en las Américas
Disidencia Disidencia

Disidencia

Minerva Cuevas

Mishkin Gallery New York, USA August 29, 2019 – November 1, 2019

Terremoto is pleased to present the exhibitions selected for Terremoto Art Weekend NYC 2019, an initiative gathering more than 20 institutions, galleries and spaces in New York City featuring Latin American, Latinx and Afrodescendant artists. If you are in town, make sure you rsvp for a group walkthrough of each show at rsvp@terremoto.mx and stay

Minerva Cuevas, Disidencia (2019). Installation view, Mishkin Gallery. Photograph by Isabel Asha Penzlien Minerva Cuevas, Disidencia (2019). Installation view, Mishkin Gallery. Photograph by Isabel Asha Penzlien Minerva Cuevas, Disidencia (2019). Installation view, Mishkin Gallery. Photograph by Isabel Asha Penzlien Terremoto is pleased to present the exhibitions selected for Terremoto Art Weekend NYC 2019, an initiative

21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities 21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities

21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities

São Paulo, Brazil October 9, 2019 – February 2, 2020

For more information visit: Sesc_Videobrasil Facebook / Instagram / Twitter The presence of nationalism as a means to understanding the disputes that mark our time. That is the background of the 21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities, which will run from October 9, 2019 through February 2, 2020, at Sesc 24 de Maio, in São Paulo,

For more information visit: Sesc_Videobrasil Facebook / Instagram / Twitter The presence of nationalism as a means to understanding the disputes that mark our time. That is the background of the 21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities, which will run from October 9, 2019 through February 2, 2020, at Sesc 24 de Maio, in São Paulo,

When I die I will take nothing, those who owe me I will charge in hell When I die I will take nothing, those who owe me I will charge in hell

When I die I will take nothing, those who owe me I will charge in hell

Curated by Solange Farkas and Gabriel Bogossian

Galpão VB | Associação Cultural Videobrasil São Paulo, Brazil 04/06/2017 – 06/17/2017

A witty observer of the culture of his time, the Italian filmmaker Pier Paolo Pasolini sought to produce, in his films and texts, a critique of the then ongoing social transformations in Italy and a record of certain cultural practices that, according to him, were disappearing. In The Gospel According to St. Matthew (1964), for

Virginia de Medeiros, Cais do corpo, 2015. Video. Courtesy of the artist and Galeria Nara Roesler Runo Lagomarsino, La découverte de la Terre, 2017. Installation. Photo: Pedro Napolitano Prata. Courtesy of Associação Cultural Videobrasil Nada levarei quando morrer, aqueles que me devem cobrarei no inferno, at Galpão VB. Installation view. Photo: Pedro Napolitano Prata. Courtesy