Contemporary Art in the Americas Arte Contemporáneo en las Américas
21ª Bienal de Arte Contemporáneo Sesc_Videobrasil: “Comunidades Imaginadas” 21ª Bienal de Arte Contemporáneo Sesc_Videobrasil: “Comunidades Imaginadas”

21ª Bienal de Arte Contemporáneo Sesc_Videobrasil: “Comunidades Imaginadas”

Por Cecília Floresta Sesc 24 de Maio, São Paulo, Brasil October 9, 2019 – February 2, 2020

When Possible, What Dialogues Could There Be? 24 de Maio Street in the city of São Paulo is narrow as if it was a single tongue that reverberates it’s entire reflexive rambunctious through the pavement. A single tongue that branches into several, for in these surroundings that people who migrate are present, from remote places

De izquierda a derecha: Paulo Mendel e Vitor Grunvald, Domingo, 2018 (video); Brett Graham, Monument to the Property of Peace and Monument to the Property of Evil, 2017 (installation comprised of wood and metal); Nidal Chamekh, Never Give Up, 2017 (video 15’); Jim Denomie, Off the Reservation (Or Minnesota Nice), 2012 (oil on canvas) & Standing

Disidencia Disidencia

Disidencia

Minerva Cuevas

Mishkin Gallery New York, USA August 29, 2019 – November 1, 2019

Terremoto is pleased to present the exhibitions selected for Terremoto Art Weekend NYC 2019, an initiative gathering more than 20 institutions, galleries and spaces in New York City featuring Latin American, Latinx and Afrodescendant artists. If you are in town, make sure you rsvp for a group walkthrough of each show at rsvp@terremoto.mx and stay

Minerva Cuevas, Disidencia (2019). Installation view, Mishkin Gallery. Photograph by Isabel Asha Penzlien Minerva Cuevas, Disidencia (2019). Installation view, Mishkin Gallery. Photograph by Isabel Asha Penzlien Minerva Cuevas, Disidencia (2019). Installation view, Mishkin Gallery. Photograph by Isabel Asha Penzlien Terremoto is pleased to present the exhibitions selected for Terremoto Art Weekend NYC 2019, an initiative

21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities 21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities

21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities

São Paulo, Brazil October 9, 2019 – February 2, 2020

For more information visit: Sesc_Videobrasil Facebook / Instagram / Twitter The presence of nationalism as a means to understanding the disputes that mark our time. That is the background of the 21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities, which will run from October 9, 2019 through February 2, 2020, at Sesc 24 de Maio, in São Paulo,

For more information visit: Sesc_Videobrasil Facebook / Instagram / Twitter The presence of nationalism as a means to understanding the disputes that mark our time. That is the background of the 21st Contemporary Art Biennial Sesc_Videobrasil | Imagined Communities, which will run from October 9, 2019 through February 2, 2020, at Sesc 24 de Maio, in São Paulo,

When I die I will take nothing, those who owe me I will charge in hell When I die I will take nothing, those who owe me I will charge in hell

When I die I will take nothing, those who owe me I will charge in hell

Curated by Solange Farkas and Gabriel Bogossian

Galpão VB | Associação Cultural Videobrasil São Paulo, Brazil 04/06/2017 – 06/17/2017

A witty observer of the culture of his time, the Italian filmmaker Pier Paolo Pasolini sought to produce, in his films and texts, a critique of the then ongoing social transformations in Italy and a record of certain cultural practices that, according to him, were disappearing. In The Gospel According to St. Matthew (1964), for

Virginia de Medeiros, Cais do corpo, 2015. Video. Courtesy of the artist and Galeria Nara Roesler Runo Lagomarsino, La découverte de la Terre, 2017. Installation. Photo: Pedro Napolitano Prata. Courtesy of Associação Cultural Videobrasil Nada levarei quando morrer, aqueles que me devem cobrarei no inferno, at Galpão VB. Installation view. Photo: Pedro Napolitano Prata. Courtesy