Contemporary Art in the Americas Arte Contemporáneo en las Américas
The Closer I Get to the End the More I Rewrite the Beginning The Closer I Get to the End the More I Rewrite the Beginning

The Closer I Get to the End the More I Rewrite the Beginning

Curated by Suzy Halajian

Human Resources Los Angeles, California, USA 11/21/2015 – 12/13/2015

Bodies are moving, swaying, spinning, coming together in ecstatic relief, only to come apart in Mark Leckey’s 1999 video work, Fiorucci Made Me Hardcore. The video mashes up found footage of British youth culture in various underground dance scenes from the 1970s, ‘80s, and ‘90s with a single soundtrack unifying the images. Serving as a

Bodies are moving, swaying, spinning, coming together in ecstatic relief, only to come apart in Mark Leckey’s 1999 video work, Fiorucci Made Me Hardcore. The video mashes up found footage of British youth culture in various underground dance scenes from the 1970s, ‘80s, and ‘90s with a single soundtrack unifying the images. Serving as a

The Recorder Was Left On, Or The Closer I Get To The End The More I Rewrite The Beginning

The Recorder Was Left On, Or The Closer I Get To The End The More I Rewrite The Beginning

Curated by Suzy Halajian

Los Angeles Contemporary Archive (LACA) Los Angeles 07/08/2015 – 09/26/2015

It is much simpler to come to a conclusion, or a pause perhaps, rather than to return to the beginning again and again. The same is true of returning to a source, which appears new upon each inspection. It shifts, it reacts, it digresses, it is read differently and is experienced in unfamiliar ways. Perspectives

It is much simpler to come to a conclusion, or a pause perhaps, rather than to return to the beginning again and again. The same is true of returning to a source, which appears new upon each inspection. It shifts, it reacts, it digresses, it is read differently and is experienced in unfamiliar ways. Perspectives