Contemporary Art in the Americas Arte Contemporáneo en las Américas
Campions

Campions

Curated by Debra Barrera

Jonathan Hopson Gallery Houston, Texas, USA 09/10/2017 – 10/15/2017

Jonathan Hopson is pleased to present Campions, a group show curated by Debra Barrera featuring work by six artist who . While diverse in their style, the works by Brittney Anele, Linda Arredondo, Steven Evans, Jamil Hellu, Liz Rodda, and Talia Shulze. The American ideology of difference has shifted. A recent change has emerged for acceptance of the marginalized

Talia Shulze, rose+lily, 2017. C print, framed. 16 x 20”. Image courtesy of Jonathan Hopson. Installation view. Campions at Jonathan Hopson, 2017. Image courtesy of Jonathan Hopson. Installation view: Brittney Anele, Chained Jumper, 2017. Handmade garment. 57 x 32 x 1″. Image courtesy of Jonathan Hopson Jonathan Hopson is pleased to present Campions, a group show curated by Debra Barrera featuring

Coyote Coyote

Coyote

Curated by Jonathan Hopson

Jonathan Hopson Houston, Texas, USA 06/18/2017 – 07/30/2017

Jonathan Hopson presents Coyote, a summer group show curated by Jonathan Hopson uniting six artists who, all living or born in Texas, imbue their work with the spirit of this state: a strange breed of vicious independence and quiet perseverance. While diverse in their styles, the works by Debra Barrera, Julie DeVries, Lauren Moya Ford, Erin Joyce, Bradley Kerl, and

Installation view. Courtesy of Jonathan Hopson, Houston. Installation view. Courtesy of Jonathan Hopson, Houston. Debra Barrera, Blanquita, 2017. Antique ceramic hand vase, silver thread, coyote fangs. 11 x 4 x 2”. Courtesy of Moody Gallery Jonathan Hopson presents Coyote, a summer group show curated by Jonathan Hopson uniting six artists who, all living or born in Texas, imbue their

Menina

Menina

Debra Barrera

Moody Gallery Houston, Texas, USA 04/08/2017 – 05/13/2017

Menina is a collection of works inspired by two rooms in my childhood home: the formal living and dining room. These rooms were decorated by my mother and filled with opulence and ornamentation; paintings of faux Dutch still life, gold tassels hanging from lamp shades, and pistachio green velvet pillows. Rarely used, the rooms became

Mariah and Marie Laurencin, 2017. Archival print on granite. 7 x 4″. Courtesy of the artist. Installation view. Courtesy of the artist. Versailles, 2017. After Alexandre Benois’ painting The King Walked in Any Weather, from the series The Last Walks of King Louis XIV, 1898. Graphite on paper, velvet. 25″ x 30″. Courtesy of the