Contemporary Art in the Americas Arte Contemporáneo en las Américas
AI-5 50 YEARS – it still isn’t over yet AI-5 50 YEARS – it still isn’t over yet

AI-5 50 YEARS – it still isn’t over yet

Curated by Paulo Miyada

Instituto Tomie Ohtake Sao Paulo 09/04/2018 – 11/04/2018

“What is the purpose of an art institution in a country like Brazil, today, in 2018? Even though this doesn’t directly reach the spectators, this is a question that Instituto Tomie Ohtake’s employees face every day, dealing with the responsibilities intrinsic to the work they develop. There are several different answers for this question and

AI-5 50 YEARS – still hasn’t ended yet. Installation view at Instituto Tomie Ohtake, 2018. Photo courtesy of Instituto Tomie Ohtake AI-5 50 YEARS – still hasn’t ended yet. Installation view at Instituto Tomie Ohtake, 2018. Photo courtesy of Instituto Tomie Ohtake. AI-5 50 YEARS – still hasn’t ended yet. Instalation View at Instituto Tomie

Verboamérica Verboamérica

Verboamérica

Curated by Andrea Giunta and Agustín Pérez Rubio

MALBA Buenos Aires, Argentina 09/21/2016 –

Artistas: Francis Alÿs, Fernando Bryce, Lygia Clark, Miguel Covarrubias, Mirtha Dermisache, Antônio Dias, Paz Errázuriz, Ricardo Garabito,  Anna Bella Geiger, Mathias Goeritz, José Gurvich, Annemarie Heinrich, Alfredo Jaar, Kenneth Kemble, Guillermo Kuitca, Fernanda Laguna, Wilfredo Lam, Julio Le Parc, Jorge Macchi, Liliana Maresca, Mónica Mayer, José Carlos Martinat, María Martins, Ana Mendieta, Marta Minujín, Helio Oiticica, José Clemente

Vista de instalación. Verboamérica, 2017. Imagen cortesía de MALBA, Buenos Aires. Fotografía: Javier Agustín Rojas Las Yeguas del Apocalipsis, Las dos Fridas. Cortesía de MALBA, Buenos Aires. Nicolás García Uriburu, Portfolio (manifiesto), 1973. Cortesía de MALBA, Buenos Aires. Fotografía: Pablo Jantus Artistas: Francis Alÿs, Fernando Bryce, Lygia Clark, Miguel Covarrubias, Mirtha Dermisache, Antônio Dias, Paz Errázuriz, Ricardo Garabito,  Anna Bella Geiger,