Contemporary Art in the Americas Arte Contemporáneo en las Américas
Construyendo puentes. Arte chicano/mexicano de LA a CDMX Construyendo puentes. Arte chicano/mexicano de LA a CDMX

Construyendo puentes. Arte chicano/mexicano de LA a CDMX

Curada por Julián Bermúdez

Museo de Arte Carrillo Gil Ciudad de México 09/21/2018 – 11/25/2018

Nacida a mediados de la década de 1960, junto con los protestantes de la Guerra de Vietnam y el movimiento Black Power a favor de los derechos civiles, la lucha chicana desafió la categorización y los estereotipos burlones ampliamente divulgados entre la población anglosajona, así como a los centros educativos públicos, plagados de deserción, que

Patrick Martínez, América es para los dreamers (detalle), 2016-2017. Cortesía AltaMed Health Services Construyendo puentes. Arte chicano/mexicano de Los Ángeles a Ciudad de México. Vista de sala. Cortesía MACG Construyendo puentes. Arte chicano/mexicano de Los Ángeles a Ciudad de México. Vista de sala. Cortesía MACG. Nacida a mediados de la década de 1960, junto con

Somewhere in Between

Somewhere in Between

David Shrobe

Jenkins Johnson Gallery San Francisco, California, USA 09/22/2018 – 10/27/2018

Jenkins Johnson presents Somewhere in Between, an exhibition of new works by New York based visual artist and painter David Shrobe. He creates paintings and assemblages from repurposed, unconventional, or found materials. Shrobe’s first West Coast solo exhibition is on view through October 27, 2018. Somewhere in Between gives us windows and portals, as the

David Shrobe, Cross-Over, 2018. Acrylic, ink, and fabric on canvas. 34 x 27 inches. Somewhere in Between, Installation view at Jenkins Johnson Gallery. Photo courtesy of Jenkins Johnson Gallery David Shrobe, Night Vision, 2018. Oil, acrylic, graphite, paper, canvas, vinyl, and fabric. 60 x 49 x 2 inches. Somewhere in Between, Installation View at Jenkins Johnson Gallery. Photo courtesy

See You on the Flipside

See You on the Flipside

Rebekah Goldstein

CULT | Aimee Friberg Exhibitions San Francisco, California, USA 09/08/2018 – 10/27/2018

CULT | Aimee Friberg Exhibitions presents its third solo exhibition of new work by Rebekah Goldstein. See You on the Flipside marks a continued evolution of the artist’s signature lines, shapes, and gravity-challenging spatial treatment. In this exhibition Goldstein hones in on the tension between her two and three dimensional work, linking them conceptually with brand new shaped canvas

Rebekah Goldstein. See You on the Flipside. CULT Aimee Friberg Exhibitions. San Francisco, California. Photo by Phillip Maisel Rebekah Goldstein. See You on the Flipside. CULT Aimee Friberg Exhibitions. San Francisco, California. Photo by Phillip Maisel Rebekah Goldstein. See You on the Flipside. CULT Aimee Friberg Exhibitions. San Francisco, California. Photo by John Wilson White

Made in L.A. 2018, at Hammer Museum, Los Angeles, USA Made in L.A. 2018, at Hammer Museum, Los Angeles, USA

Made in L.A. 2018, at Hammer Museum, Los Angeles, USA

By Carribean Fragoza Los Angeles, California, USA 06/03/2018 – 09/02/2018

Imaginemos Cosas Chingonas: Astonishment and vision in Made in L.A. 2018 Think back to the last time you were astonished by something. I mean genuinely, viscerally astonished so that you felt gripped or overwhelmed in spite of yourself. Astonishment at an art show for the regular art-goer, like blushing for a correteadx, is hard to

Beatriz Cortez, vista de instalación, Made in L.A. 2018, 3 de junio – 2 de septiembre, 2018, Hammer Museum, Los Ángeles. Foto: Brian Forrest. Imagen cortesía de Hammer Museum. Imaginemos cosas chingonas: asombro y visión en Made in L.A. 2018 Piensa en la última vez que te asombró algo. Me refiero a estar asombrado genuinamente,

Pancha, the Colorful Bird and the Shining Snake

Pancha, the Colorful Bird and the Shining Snake

Jorge Satorre

REDCAT Los Angeles, California, USA 05/12/2018 – 07/08/2018

Pancha, the Colorful Bird and the Shining is the first solo exhibition by Mexican artist Jorge Satorre (Mexico City, 1979) in the United States. The commissioned installation by Satorre consists of a series of sculptures and drawings that collectively portray alternative and subjective historical narratives, developed by the artist in contrast to standard, institutional versions of

Jorge Satorre. Vista de la exposición Pancha, the Colorful Bird and the Shining Snake, REDCAT, Los Angeles, 2018. Courtesy of REDCAT. Photo: Brica Wilcox Jorge Satorre. Vista de la exposición Pancha, the Colorful Bird and the Shining Snake, REDCAT, Los Angeles, 2018. Courtesy of REDCAT. Photo: Brica Wilcox Jorge Satorre. Vista de la exposición Pancha,

Marilyn Minter Marilyn Minter

Marilyn Minter

Marilyn Minter

Regen Projects Los Angeles, California, USA 05/19/2018 – 06/23/2018

Regen Projects presents an exhibition of new paintings, photographs, and a video work by New York-based artist Marilyn Minter. This marks her third solo presentation at the gallery. Over the course of her decades-long career, Marilyn Minter has developed a singular and provocative pictorial language imbued with themes of desire, power, glamour, and beauty. Often

Installation view of Marilyn Minter at Regen Projects, Los Angeles. May 19 – June 23, 2018. Photo: Brian Forrest, Courtesy Regen Projects, Los Angeles. © Marilyn Minter, Courtesy Regen Projects, Los Angeles Installation view of Marilyn Minter at Regen Projects, Los Angeles. May 19 – June 23, 2018. Photo: Brian Forrest, Courtesy Regen Projects, Los Angeles. ©

New Investigations in Collective Form New Investigations in Collective Form

New Investigations in Collective Form

The Open Workshop

Yerba Buena Center for the Arts (YBCA) San Francisco, California, USA 03/29/2018 – 07/29/2018

For the third installment of The City Initiative, which highlights architects, designers, planners, and artists creating provocative work in urban environments, Yerba Buena Center for the Arts (YBCA) features The Open Workshop, a Bay Area design research office founded by architect and urban designer Neeraj Bhatia that focuses on the relationship between territory, form, and

The Open Workshop, Field of Representation, 2018, installation view, The Open Workshop: New Investigations in Collective Form, Yerba Buena Center for the Arts, San Francisco, 2018. Courtesy Yerba Buena Center for the Arts. Photograph by Charlie Villyard The Open Workshop, Collections of New Worlds, 2018, installation view, The Open Workshop: New Investigations in Collective Form,

Prussian Blue Prussian Blue

Prussian Blue

Yishai Jusidman

Yerba Buena Center for the Arts (YBCA) San Francisco, California, USA 12/01/2017 – 03/25/2018

The Los Angeles–based Mexican painter Yishai Jusidman has an uncanny gift for conjuring naturalistic depictions that probe visual perception and the ethics of representation. YBCA showcases for the first time in the United States the acclaimed exhibition Yishai Jusidman: Prussian Blue, originally organized by the Museo Universitario Arte Contemporáneo (MUAC) in Mexico City. The featured paintings

Yishai Jusidman: Prussian Blue, installation view, Yerba Buena Center for the Arts, San Francisco, 2017. Courtesy Yerba Buena Center for the Arts. Photographs by Charlie Villyard Yishai Jusidman: Prussian Blue, installation view, Yerba Buena Center for the Arts, San Francisco, 2017. Courtesy Yerba Buena Center for the Arts. Photographs by Charlie Villyard Yishai Jusidman: Prussian

THREE-PEAT THREE-PEAT

THREE-PEAT

Esmaa Mohamoud

ltd los angeles Los Angeles, California, USA 02/16/2018 – 03/24/2018

ltd los angeles presents THREE-PEAT, Toronto-based Esmaa Mohamoud’s first solo gallery exhibition. For her debut, Mohamoud further develops her large-scale installation recently featured at The Art Gallery of Ontario, through her continued investigation into binaries and aesthetics of sports culture as it relates to race and gender, through industrial sculpture, text, and printed photographs on varying

Esmaa Mohamoud. Installation view of THREE-PEAT at ltd los angeles, Los Angeles, California, USA, 2018. Courtesy of ltd los angeles Esmaa Mohamoud. Installation view of THREE-PEAT at ltd los angeles, Los Angeles, California, USA, 2018. Courtesy of ltd los angeles Esmaa Mohamoud. Installation view of THREE-PEAT at ltd los angeles, Los Angeles, California, USA, 2018.

Endless Nights

Endless Nights

Guadalupe Rosales and Eddie Ruvalcaba

Commonwealth and Council Los Angeles, California 01/20/2018 – 03/03/2018

At the intersection of art and archival work, Guadalupe Rosales seizes social media as a radical opportunity: a generous platform to engage and develop multiple modes of discourse. Her ongoing projects Veteranas and Rucas (@veteranas_and_rucas) and Map Pointz (@map-pointz) broach the importance of self-representation and self-historicization, showing how lived experiences and memories find potent revival

Guadalupe Rosales and Eddie Ruvalcaba. Installation view of Endless Nights, Commonwealth and Council, Los Angeles, USA, 2018. Courtesy the artists and Commonwealth and Council, Los Angeles. Photo: Ruben Diaz Guadalupe Rosales and Eddie Ruvalcaba. Installation view of Endless Nights, Commonwealth and Council, Los Angeles, USA, 2018. Courtesy the artists and Commonwealth and Council, Los Angeles.