Contemporary Art in the Americas Arte Contemporáneo en las Américas
Drive-By-Art (Public Art In This Moment of Social Distancing)

Drive-By-Art (Public Art In This Moment of Social Distancing)

Organized by Warren Neidich, Renee Petropoulos, Michael Slenske and Anuradha Vikram

www.drive-by-art.org Los Angeles, California, USA May 23, 2020 – May 31, 2020

The coronavirus pandemic has disrupted cultural networks bringing many galleries and museums to a halt and moving visual arts experiences online. Meanwhile, drive-by baby showers and birthdays have become the norm for celebrating special events during this time of social distancing amidst the COVID-19 pandemic. Enter Drive–By–Art, an outdoor public art exhibition that is experienced from the safety and intimacy

Drive-By-Art (Public Art In This Moment of Social Distancing) (2020). Installation view. Image courtesy by the organizers Drive-By-Art (Public Art In This Moment of Social Distancing) (2020). Installation view. Image courtesy by the organizers Drive-By-Art (Public Art In This Moment of Social Distancing) (2020). Installation view. Image courtesy by the organizers The coronavirus pandemic has

The Lulennial II: A Low-Hanging Fruit The Lulennial II: A Low-Hanging Fruit

The Lulennial II: A Low-Hanging Fruit

Curated by Andrew Berardini and Chris Sharp

Lulu Mexico City, Mexico February 6, 2018 – April 1, 2018

Artists: Yuji Agematsu, Kelly Akashi, Derya Akay, Nina Beier, Luis Miguel Bendaña, Meriem Bennani, Matthew Brannon, Donna Conlon & Jonathan Harker, Rodrigo Hernandez, Jef Geys, Allison Katz, Adriana Lara, Nancy Lupo, Nevine Mahmoud, Aliza Nisenbaum, Naufus Ramirez-Figueroa, Shimabuku, Peter Shire, Gabriel Sierra, Erika Verzutti, Maja Vukoje, Amelie von Wulffen Lulu presents the second edition of

Group show. Installation view of The Lulennial II: A Low-Hanging Fruit, at Lulu, Mexico City, 2018. Courtesy of Lulu Nina Beier, Scheme, 2014. Produce from online organic fruit and vegetable box scheme, dimensions variable. Courtesy of Lulu Group show. Installation view of The Lulennial II: A Low-Hanging Fruit, at Lulu, Mexico City, 2018. Courtesy of Lulu

Home — So Different, So Appealing, at LACMA, Los Angeles Home — So Different, So Appealing, at LACMA, Los Angeles

Home — So Different, So Appealing, at LACMA, Los Angeles

by Andrew Berardini Los Angeles, California, USA 06/11/2017 – 10/15/2017

All of our homes and would-be paradises: the Utopias we dream, our parent’s fantasies and realities, the homes we come from, the one we live in now, that place we fantasize about; all of it layered, one room leading to the next, one home leading to another. Our attempts at making a home are always

Installation photo featuring Abraham Cruzvillegas’s Autoconstrucción, 2010 in the exhibition Home—So Different, So Appealing at the Los Angeles County Museum of Art, June 11, 2017 – October 15, 2017, © Abraham Cruzvillegas, photo © Museum Associates/LACMA Todos nuestros hogares y posibles paraísos: las utopías que soñamos, las fantasías y realidades de nuestros padres, los hogares