Contemporary Art in the Americas Arte Contemporáneo en las Américas
The Lulennial II: A Low-Hanging Fruit The Lulennial II: A Low-Hanging Fruit

The Lulennial II: A Low-Hanging Fruit

Curated by Andrew Berardini and Chris Sharp

Lulu Mexico City, Mexico February 6, 2018 – April 1, 2018

Artists: Yuji Agematsu, Kelly Akashi, Derya Akay, Nina Beier, Luis Miguel Bendaña, Meriem Bennani, Matthew Brannon, Donna Conlon & Jonathan Harker, Rodrigo Hernandez, Jef Geys, Allison Katz, Adriana Lara, Nancy Lupo, Nevine Mahmoud, Aliza Nisenbaum, Naufus Ramirez-Figueroa, Shimabuku, Peter Shire, Gabriel Sierra, Erika Verzutti, Maja Vukoje, Amelie von Wulffen Lulu presents the second edition of

Group show. Installation view of The Lulennial II: A Low-Hanging Fruit, at Lulu, Mexico City, 2018. Courtesy of Lulu Nina Beier, Scheme, 2014. Produce from online organic fruit and vegetable box scheme, dimensions variable. Courtesy of Lulu Group show. Installation view of The Lulennial II: A Low-Hanging Fruit, at Lulu, Mexico City, 2018. Courtesy of Lulu

Dredgers on the Rail

Dredgers on the Rail

Curated by Tyler Murphy

Freedman Fitzpatrick Los Angeles, California, USA 07/26/2015 – 09/05/2015

An encrusted pillar. A standing, lodged and vertical oak. Pierced through the body from above by a concrete column, entwined, locked and locking worlds together. Provoking the limits of a form, contort or melt to move through. A patch of undead chia, a feigned arability, retreating from or pushing into life. Distant landscapes point at

An encrusted pillar. A standing, lodged and vertical oak. Pierced through the body from above by a concrete column, entwined, locked and locking worlds together. Provoking the limits of a form, contort or melt to move through. A patch of undead chia, a feigned arability, retreating from or pushing into life. Distant landscapes point at

Perra Perdida Perra Perdida

Perra Perdida

Allison Katz and Camilla Wills

Lulu Ciudad de México, México 11/30/2013 – 02/04/2014

: Marginalia : Pretext: Leash seeks lost bitch. Pretext: To find oneself in movement. To become a local fixture but not fixed. A flâneur; a transject (1). First half of the nineteenth century: A poet walks his lobster on a leash (2).First half of the twenty-first century: An artist flies out to Paris and in

: Marginalia : Pretext: Leash seeks lost bitch. Pretext: To find oneself in movement. To become a local fixture but not fixed. A flâneur; a transject (1). First half of the nineteenth century: A poet walks his lobster on a leash (2).First half of the twenty-first century: An artist flies out to Paris and in