Blog - Rio de Janeiro - Brasil
Tiempo de lectura: 2 minutos
23.04.2022
From March 28 to May 7
Anna Bella Geiger Burocracia 2012 Acrilic paint on fabric 96 x 76 cm Photo by Jaime Acioli
Anna Bella Geiger Macio com Flor de Lótus e Mapa Mundi através.... I da série Macios 2016 Oil paint, pencil color and yarn on canvas 63x98,5cm Photo by Jaime Acioli
Anna Bella Geiger Carne na tabua , série Visceral 1968 Guache, color pencil and ink 32x23cm Photo by Jaime Acioli
Experimentation and research determine Anna Bella Geiger’s creative vectors. His creative freedom is manifested in various supports and materials. Through appropriations, displacements and resignifications, the artist incorporates questions that permeate her entire production. By stretching the boundaries between the past, the present and the future, Anna Bella builds a work that manages to be both timeless and iconographic. Along with other contemporary artists, she forms a powerful feminist lineage that redefines the Brazilian art scene.
Without committing to strictly conceptual practices, the artist develops an anthropological geography that structures her artistic actions and expands the traditional concepts of representation to project herself as an element of culture and questioning the world. Through dialectical practices, she adopts a strategy of confrontation and daring, displacing the artistic agent and incorporating serialization as an element of communication. With the rescue of images, memories and remembrances, she establishes the question about the plurality of this contemporary world, torn apart in its borders, and its limits. As an aesthetic provocation, it refuses contemplative aspects and inserts visuality into a broader and expanded field, far from the pamphlet discourse and, also, from conceptual hermeticism. It is in the diffuse territory between the real and the virtual, between what is and what is moving, that Anna Bella Geiger’s trajectory is founded.
For this exhibition, in addition to works of historical importance, we also bring the vivacity of her most recent production that reflects the artistic commitment and intellectual restlessness of Anna Bella Geiger.
Marcus de Lontra Costa | curated
Rafael Fortes Peixoto | co-curation
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23.03.2024
Opinión
Duen Neka’hen Sacchi
En medio de la crisis ética que atravesamos en nuestra región y el mundo entero, expuestos como testigxs del fortalecimiento de la brutalización y la crueldad como elementos que sostienen las democracias fascistas, el curador y artista Duen Neka’hen Sacchi nos comparte su urgente reflexión sobre el contexto argentino.
22.03.2024
Marginalia
La Revuelta
Invitamos a La Revuelta, un espacio, un hogar, un punto de encuentros radicales donde el horizonte de la vida se pone al margen de lo sensible desde el contexto del arte contemporáneo en la ciudad de Guatemala. Cristina, Maya, Fernanda, Jimena, Francis y Vekis comparten con nosotres el marginalia 98.
08.03.2024
Opinión
María Galindo
Aprovecho para pasarte esta bibliografía para el próximo curso sobre feminismo que dictaré en cualquier recinto, esquina, librería, casa autogestionaria o barrio.
29.02.2024
Reportes
Ana Clara Simões Lopes
Con 121 artistas de Colombia, Perú, Venezuela, Ecuador, Bolivia, Guyana, Guayana Francesa, Surinam y Brasil, bajo el título Bubuia: las aguas como fuente de imaginaciones y deseos, se llevó a cabo la primer edición de la Bienal de las Amazonas, misma que contó con la curaduría del colectivo de mujeres Sapukai -que en tupí significa canto, clamor o grito- integrado por Sandra Benites, ex curadora de arte indígena del MASP; Keyna Eleison, curadora y exdirectora artística del Museo de Arte Moderno de Río de Janeiro; Vânia Leal, curadora independiente; y Flavya Mutra, artista e investigadora.
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