Through a historical journey, Monica makes a critical review of the path that women have opened in art institutions.
Maya Juracán, “A Future Without the Need to Name Ourselves”, Terremoto: A Burning Song, n. 21 (Mexico City, October 2021-January 2022), p. 108.
In response to a letter from Gladys Turner, Terremoto removed the erroneous information from the digital version.
The limited space of this article does not allow me to list all the individual directors and curators. For more information, visit the MAC-Panama website.