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kurimanzutto, Ciudad de México, México
February 10, 2018 – March 3, 2018

For her first exhibition at kurimanzutto, Nairy Baghramian presents recent sculptures collectively titled Maintainers. Each work consists of three interdependent elements—raw aluminum casts, colored wax forms and lacquer painted braces. While presented in a disparate composition within the gallery space, all of the elements resonate with a visible correlation and an inherent potential for interdependence and connectivity. The shapes of the abstract cuboids made of polishing wax defy modernist vocabularies. Their material nature implies a submissive utilitarian purpose, as they exist to preserve their aluminum counterparts who could gradually consume them over time.

Nairy Baghramian’s practice is galvanized by a determination to bridge formal concerns with investigations of content. She is committed to an active questioning of traditional sculpture, layering her work with reflections on institutional realities, socio-political themes and historical antecedents from the worlds of art, architecture, and design. Baghramian often challenges the limits of sculpture and molds, object, and signification, strength and fragility, organic and mechanical.


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