Reading time: 2 minutes
Curated by Abril Zales
Monterrey, Nuevo Leon, Mexico
April 17, 2021 – June 20, 2021
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Lepecki, A. (2007) Choreography as Apparatus of Capture en TDR: The Drama Review, Volumen 51, 1 Número 2 (T 194), pp. 119-123. The MIT Press
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Diego Ventura Puac-Coyoy
Davo Valdés de la Campa
Davo Valdés takes the case of Morelos as an example to problematize: how can we justify the existence of cultural apparatuses that pay for positions in which nothing is proposed or carried out?
Laura Burocco reflects praises the presence of the Nordic Pavilion (Sami) as one of those that was able to dismantle the deeply and historically rooted nation-state reflection at the Venice Biennale.
Mónica E. Kupfer
Through a historical journey, Monica makes a critical review of the path that women have opened in art institutions.
Daniela Argüelles Gómez
Brief commentary on the exhibition “Lo que hay de otrxs en nosotrxs” [What there is of others in us], by artist Santiago Pinyol, in the city of Bogota, open from August 19 to September 23, 2022 at SGR Galería.
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