01.09.2021
Ottawa, Canada
May, 2021 – December 19, 2021
“This mural project was a wonderful experience and we are extremely grateful for everything that we learned throughout this process. We both had the chance to expand our own respective practices and were able to discover a completely different side of painting. Furthermore, being mentored by a wonderful muralist such as Curtia Wright was an amazing experience in itself! After a year of social distancing, we really enjoyed getting to talk with another artist and learn from her extensive knowledge.We always looked forward to our weekly workshops with her and the lessons always came packaged with beautiful care. All this work eventually led us to the creation of our collaborative project Carved Reflections, which is a wonderful amalgamation of our multiple discussions and numerous hours spent together in the last two months. In terms of context, each mural creates a submerged experience of the diasporic consciousness and it presents the viewers with various stages of the Black existence. We decided to take on the theme of Filtered as a criticism of the images/narratives that have too commonly made themselves home on all of our screens. We asked ourselves: what are the impacts of growing up immersed in this westernized digital culture as Somali/Indian and Haitian? This and many other themes are what feeds Carved Reflections. We’d like to thank the Ottawa Black Arts Kollective, our mentor Curtia Wright and the Ottawa Art Gallery for giving us the chance and resources to do this mural. But we are even more grateful to each other for the wonderful friendship that emerged from it. Thank you!”
—Quote from the “Carved Reflections” mural artists, Sarah-Mecca Abdourahman et Laurena Finéus
05.09.2024
Reports
Constanza Medina Ávila
Photographs, videos, and objects that make up the imprint of some of the performances by the artist Lechedevirgen were presented in “Acts of Disobedience,” a solo exhibition by the artist, educator, and researcher from Querétaro, held at the Libertad Gallery (July-August 2024). Symbolic revenge woven through various complicities.
27.08.2024
Reports
Joselyne Contreras Cerda, Sebastián Vidal Valenzuela, Diego Parra Donoso
Insisting; the colonization of sensitivity supports the multiple forms of fascism, be it from national fascism to military dictatorships, Insisting. On the occasion of the almost 51 years since the coup d’état in Chile, we remember PRESENTE at the Museo de Arte Contemporáneo curated by Joselyne Contreras Cerda, Sebastian Vidal Valenzuela, Diego Parra Donoso, a transgenerational collective exhibition that enunciated the relationship between art and its political implications since September 1973.
15.08.2024
Opinion
danie valencia sepúlveda
This is the first installment of “Sentimental Cartography of Ongoing Brutalization”, an editorial agitation proposal for the convulsive times that our anesthetized sensibilities are going through.
08.08.2024
Reviews
(Español) Uriel Vides Bautista
The curator and researcher Uriel Vides Bautista invites us to problematize the discursive limits of art and artificial intelligence, elements that cross Trashumancia, from the multidisciplinary collective MUXX. Inaugurated last June 19 at the Alameda Art Laboratory, it will be activated by a series of events that make up the public program until September 25.
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