Is activated by what emerges from artistic production. It works in an expanded curatorial field including publications, conference calls, teaching, and exhibitions. It was initiated in 2010 by curators Sarah Demeuse (New York) and Manuela Moscoso (Mexico DF). Rivet has an episodic character. Their most recent project“The Wilson Exercises” happened at Rogaland Kunstsenter (Stavanger), RedCat (Los Angeles), and Fundació Miró (Barcelona) and also takes shape as a publication made with RedCat and Project Projects. Rivet just edited Daniel Steegmann Mangrané’s “Animal That Doesn’t Exist” in collaboration with Bom Dia Boa Tarde Boa Noite (Berlin).