Reports - Terremoto

29.02.2024

Reports Bienal Amazonas Bolivia, Brazil, French Guyana, Peru, Venezuela

Ana Clara Simões Lopes

O sonho é a terceira margem do rio

15.02.2024

Reports Bienal Sesc_Videobrasil, memory Brazil, Latinoamérica

As muitas caras da memória na 22ª Bienal Sesc_Videobrasil

21.01.2024

Reports

Alex Ungprateeb Flynn

Authoring histories, manifesting futures

21.12.2023

Reports

Aránzazu Núñez

Tramite: succumbing to the enchantment

08.12.2023

Reports Chotin' I, Prácticas curatoriales Caribbean, Latinoamérica, Panama

Ana Laguna

What is the purpose of what we do? Reflections on “Chotin’: prácticas curatoriales desde Centroamérica y Caribe” from a city on fire

23.11.2023

Reports Bienal de Arte Paiz, Guatemala Guatemala, Latinoamérica

Jaime González Solís

Dreams of the future. The XXIII Paiz Art Biennial in Guatemala

20.11.2023

Reports Entrevista Guatemala, Latinoamérica

Drinking dreams that are immersed in words: XXIII Paiz Art Biennial

08.11.2023

Reports

Christian Barragán

On Vibrations of an Imperfect Cosmic Web, Interview with Alejandro Garcia Contreras

07.11.2023

Opinion blanqueamiento por despojo, desplazamiento forzado, ensayo Latinoamérica, Mexico

Pablo Gaytán

Whitewashed Metapolis under the 3D (part 2)

17.08.2023

Reports

Mayra Vineya

Eyes on the fingers: on Ojos Obsidianos [Obsidian Eyes] by Donna Huanca

10.08.2023

Reports

Mateus Nunes

Retroactive manifest

20.07.2023

Reports

Diego Ventura Puac-Coyoy

To Be Living Memory

03.07.2023

Reports

Davi Kopenawa Yanomami

Once the darkness becomes present, we’ll dream again

03.06.2023

Reports EE.UU. Estados Unidos

Paige Haran

The Bronx in Baroque

26.03.2023

Reports

Daniel Tyree Gaitor-Lomack, Grandma

Anthems On Repeat

08.03.2023

Reports

Àngels Miralda

XI Lanzarote Art Biennial: Like a Hare on the Mountain

13.01.2023

Reports CDMX Mexico

Helena Lugo

Safe Space: The Search for Rituals In a Fast-Paced World

11.01.2023

Reports Santiago Chile

Andrea Ocampo, Elodie Fulton

Elodie Fulton on the Ch.ACO effect

22.12.2022

Reports

Duen Sacchi

The Gaze of the Lizards

27.10.2022

Reports Winnipeg Canada

Anna Costa e Silva, Mariana Muñoz Gomez

Orchestrating Serendipity: An Interview with Anna Costa e Silva

20.10.2022

Reports CDMX Mexico

Helena Lugo, Carmen Argote

Remaking, Re-mothering, and Transformation

22.09.2022

Reports Venecia Italy

Laura Burocco

The Political Aesthetic of Bridging Worlds

15.09.2022

Reports Panama Panama

Mónica E. Kupfer

Igi Ayedún: on the indeterminate shape of desire

O sonho é a terceira margem do rio

As muitas caras da memória na 22ª Bienal Sesc_Videobrasil

Authoring histories, manifesting futures

Tramite: succumbing to the enchantment

What is the purpose of what we do? Reflections on “Chotin’: prácticas curatoriales desde Centroamérica y Caribe” from a city on fire

Dreams of the future. The XXIII Paiz Art Biennial in Guatemala

Drinking dreams that are immersed in words: XXIII Paiz Art Biennial

On Vibrations of an Imperfect Cosmic Web, Interview with Alejandro Garcia Contreras

Whitewashed Metapolis under the 3D (part 2)

Eyes on the fingers: on Ojos Obsidianos [Obsidian Eyes] by Donna Huanca

Retroactive manifest

To Be Living Memory

Once the darkness becomes present, we’ll dream again

The Bronx in Baroque

Anthems On Repeat

XI Lanzarote Art Biennial: Like a Hare on the Mountain

Safe Space: The Search for Rituals In a Fast-Paced World

Elodie Fulton on the Ch.ACO effect

The Gaze of the Lizards

Orchestrating Serendipity: An Interview with Anna Costa e Silva

Remaking, Re-mothering, and Transformation

The Political Aesthetic of Bridging Worlds

Naming Ourselves: Women and The Museum of Contemporary Art of Panama

Igi Ayedún: on the indeterminate shape of desire

O sonho é a terceira margem do rio

As muitas caras da memória na 22ª Bienal Sesc_Videobrasil

Authoring histories, manifesting futures

Tramite: succumbing to the enchantment

What is the purpose of what we do? Reflections on “Chotin’: prácticas curatoriales desde Centroamérica y Caribe” from a city on fire

Dreams of the future. The XXIII Paiz Art Biennial in Guatemala

Drinking dreams that are immersed in words: XXIII Paiz Art Biennial

On Vibrations of an Imperfect Cosmic Web, Interview with Alejandro Garcia Contreras

Whitewashed Metapolis under the 3D (part 2)

Eyes on the fingers: on Ojos Obsidianos [Obsidian Eyes] by Donna Huanca

Retroactive manifest

To Be Living Memory

Once the darkness becomes present, we’ll dream again

The Bronx in Baroque

Anthems On Repeat

XI Lanzarote Art Biennial: Like a Hare on the Mountain

Safe Space: The Search for Rituals In a Fast-Paced World

Elodie Fulton on the Ch.ACO effect

The Gaze of the Lizards

Orchestrating Serendipity: An Interview with Anna Costa e Silva

Remaking, Re-mothering, and Transformation

The Political Aesthetic of Bridging Worlds

Naming Ourselves: Women and The Museum of Contemporary Art of Panama

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