Contemporary Art in the Americas Arte Contemporáneo en las Américas
After Nature

After Nature

Franz Manata & Saulo Laudares

São Paulo, Brazil 04/07/2018 – 06/23/2018

After Nature: a proliferation of hybrids The term “exhibition” has long been unable to define those contemporary artistic practices that absorbed the idea of expanding aesthetic experience beyond a modern project. The architecture that receives the works always ends up simulating fake neutrality (the white cube). It is hard to nullify layers of history, project and memory of expository

Installation view, 2018. Image courtesy of Sé, São Paulo. ThePlace, 1998-2018. Image courtesy of Sé, São Paulo Usutópico (cartaz), 2006. Image courtesy of Sé, São Paulo After Nature: a proliferation of hybrids The term “exhibition” has long been unable to define those contemporary artistic practices that absorbed the idea of expanding aesthetic experience beyond a modern project.

newflags among pedagogical cushions newflags among pedagogical cushions

newflags among pedagogical cushions

Traplev

São Paulo, Brazil 04/02/2017 – 06/03/2017

This exhibition offers a moment as an experience to be lived, not mediated and even less mediatized. Hence the need for an indeterminate zone beyond what is given, beyond the spectator and the work of art, beyond the sayable and visible, again: the reverse of the imaginary. Marked by excess and repetition, this exhibition is

Traplev, new flags among pedagogical cushions, 2017. Courtesy of Sé Galeria. Photo: Pedro Victor Brandão Traplev, new flags among pedagogical cushions, 2017. Courtesy of Sé Galeria. Photo: Pedro Victor Brandão Traplev, Pedagogical cushions – prototype 1 (in process) , 2017. First set of 17 cushions on furniture designed in collaboration with Daniel Acosta. Set of

Prepared Screen

Prepared Screen

Pedro Victor Brandão

São Paulo, Brazil 11/12/2016 – 01/28/2017

If there was a time when there was one analog and another digital experience, today there are no more boundaries between them. Uninterruptedly connected to the virtual while still living in the physical, our reality is composed by the overlapping of both dimensions. Given the abundance of imagery stimuli, it does not matter anymore if

Pedro Victor Brandão, Exhaustion of Deictics, 2012. Video, broken television. Edition: Única. 50 x 70 cm. Courtesy of Sé Galeria. Photo credit: Pedro Victor Brandão. Exhibition view, 2016. Courtesy of Sé Galeria. Photo credit: Pedro Victor Brandão. Exhibition view, 2016. Courtesy of Sé Galeria. Photo credit: Pedro Victor Brandão. If there was a time when