Contemporary Art in the Americas Arte Contemporáneo en las Américas
encore mode encore mode

encore mode

Curated by Noah Barker

Lodos Mexico City, México 04/29/2017 – 06/10/2017

Artists: Rainer Ganahl, Joseph Grigely and the Hans Ulrich Obrist Archive Team, Falke Pisano, Jackson Pollock Bar, Carissa Rodriguez, Ramaya Tegegne, Amelie von Wulffen, Lawrence Weiner The title of the exhibition was formed in miscommunication between Noah Barker and curator Mark Beasley. Beasley suggested that one (curator/artist) is in a perpetual on-call mode, ceding to the demands of an art super structure. Failure

Joseph Grigely and the Hans Ulrich Obrist Archive Team, Kringel Obsession, 1988-2006. Courtesy of Lodos, Mexico City. Photo: Ramiro Chaves, White Balance Rainer Ganahl, Seminar/Lecture, Danh Vo, Elena Filipovic, Danh Vo in conversation with Elena Filipovic, Artist Space, New York 9/18/2010 (detail), 2010. 4 Photographs, Inkjet on archival photographic paper. 53 x 63 cm each.

Se nos cayó el teatro Se nos cayó el teatro

Se nos cayó el teatro

Temra Pavlović, Noa4s, Diego Salvador Rios, and more...

Lodos Mexico City, México 12/08/2016 – 01/31/2017

Artists: Temra Pavlović, Noa4s (Noah Barker + Oa4s), Diego Salvador Rios, Lewis Teague Wright, Dave Miko, Veit Laurent Kurz, Anna-Sophie Berger, Adriana Lara. (Translated from Spanish) We are in Mexico City, it is night, and in a few hours it will be day. It all begins Thursday December 8, 2016. I remember that night I read

Installation view, 2016. Courtesy of the artists and Lodos, Mexico City. Photo: PJ Rountree. Installation view, 2016. Courtesy of the artists and Lodos, Mexico City. Photo: PJ Rountree. Adriana Lara, La Pintura Contrataca, Colección Primavera/Verano 2012, 2012. 16mm transferred to HD video, laser level. 6:53 min. Courtesy of the artists and Lodos, Mexico City. Photo:

A Projection in the DDF A Projection in the DDF

A Projection in the DDF

Noah Barker

And Now Dallas, Texas, USA 11/19/2016 – 12/31/2016

Contingent upon the artist’s prior Prologue: Divergence Motor/Albatross Alarm and the scenario of a futureless present introduced in that exhibition, A Projection in the DDF is extensions and alterations of prior productions. DDF of the exhibition’s title refers to the Didactic Divergence Facility, a work of infinite unique modular components realized as light fixtures. The

Noah Barker, A Projection in the DDF, 2016. Sound, speakers, video projection, cables, read Ikea chairs, color film on florescent light. Dimension variable. Courtesy of And Now, Dallas. Noah Barker, A Projection in the DDF, 2016. Sound, speakers, video projection, cables, read Ikea chairs, color film on florescent light. Dimension variable. Courtesy of And Now,

X Bienal de Nicaragua X Bienal de Nicaragua

X Bienal de Nicaragua

Curated by Oliver Martínez Kandt

Centro de Arte Casa Deshon & Centro de Arte FOG León & Managua, Nicaragua 02/11/2016 – 05/14/2016

Artists: Alfredo Caballero, Aparicio Arthola, Chelsea Culp, Francisco Tún, Julissa Moncada, Lorena Ancona, Rafael Uriegas, Reto Pulfer, Vivian Suter, Walter Sutin, Adelita Husni Bey, Ahmet Öğüt, Alejandro de la Guerra, Darling López, Fredman Barahona, Marcos Agudelo, María José Argenzio, Noah Barker, Naomi Rincón Gallardo, Raúl Quintanilla, Sophia Al-Maria. La X Bienal de Nicaragua Fundación Ortiz Gurdian presenta

Artists: Alfredo Caballero, Aparicio Arthola, Chelsea Culp, Francisco Tún, Julissa Moncada, Lorena Ancona, Rafael Uriegas, Reto Pulfer, Vivian Suter, Walter Sutin, Adelita Husni Bey, Ahmet Öğüt, Alejandro de la Guerra, Darling López, Fredman Barahona, Marcos Agudelo, María José Argenzio, Noah Barker, Naomi Rincón Gallardo, Raúl Quintanilla, Sophia Al-Maria. La X Bienal de Nicaragua Fundación Ortiz Gurdian presenta