Contemporary Art in the Americas Arte Contemporáneo en las Américas
Other Situations: Liliana Porter at SCAD Museum of Art, Savannah, Georgia Other Situations: Liliana Porter at SCAD Museum of Art, Savannah, Georgia

Other Situations: Liliana Porter at SCAD Museum of Art, Savannah, Georgia

by Aldeide Delgado Savannah, Georgia, USA 08/17/2017 – 01/07/2018

  Reclaiming Subjectivity in the Museum In the prologue of A Brief History of Curating, Christophe Cherix claims that while the “modern figure of the art critic has been widely recognized since Diderot and Baudelaire, the curator’s true raison d’être remains largely undefined.” Exhibition curation as a field of study continues to be a relatively

Trabajo Forzado/Forced Labor (mujer barriendo) [Sweeping Woman], 2004- 2017. Figurín en estante de madera y polvo de aspiradora. Cortesía de la artista y SCAD Museum of Art. Pensar la subjetividad en el museo En el prólogo del libro Breve historia del comisariado Christophe Cherix plantea que si bien la figura moderna del crítico de arte

Not Even

Not Even

Anthea Behm

Good Enough Atlanta, Georgia, USA 05/26/2017 – 06/16/2017

Nobody needs to tell us the world we live in is not even. We bear witness to the brutality of unequal structures daily. This unevenness has a certain architectural form structured by socioeconomics, access and opportunity. A subterranean darkroom has been fashioned in the space with subtle manifestations of unevenness that the viewer engages. The ebb and

Speaking, unfixed black & white silver gelatin photogram, 2017. Courtesy of Good Enough Installation view. Courtesy of Good Enough Speaking, black & white silver gelatin photogram, 2017. Courtesy of Good Enough Nobody needs to tell us the world we live in is not even. We bear witness to the brutality of unequal structures daily. This