Contemporary Art in the Americas Arte Contemporáneo en las Américas
Rurais Rurais

Rurais

Adriano Amaral

Galeria Jaqueline Martins São Paulo, Brazil 11/11/2017 – 01/20/2018

We live in a paradoxical time where instability has become a permanent state. Technological developments, especially the so-called digital revolution, have completely changed how we relate to the world, progressively contaminating all areas of our life. Distinctions between fields such as work and leisure or economy and ecology have grown impractical. This breaking down of

Adriano Amaral. Installation view of Rurais, Galeria Jaqueline Martins, São Paulo, Brazil, 2017. Courtesy of Galeria Jaqueline Martins Adriano Amaral. Installation view of Rurais, Galeria Jaqueline Martins, São Paulo, Brazil, 2017. Courtesy of Galeria Jaqueline Martins Adriano Amaral. Installation view of Rurais, Galeria Jaqueline Martins, São Paulo, Brazil, 2017. Courtesy of Galeria Jaqueline Martins We

A Gentil Carioca Jaqueline Martins A Gentil Carioca Jaqueline Martins

A Gentil Carioca Jaqueline Martins

Curated by Ricardo Sardenberg

Galeria Jaqueline Martins São Paulo, Brazil 04/08/2017 – 05/13/2017

Artists: 3Nós3, Adriano Amaral, Ana Mazzei, Arjan Martins, Bill Lundberg, Cabelo, Charbel-joseph H. Boutros, Daniel de Paula, Débora Bolsoni, Guga Ferraz, Hudinilson Jr., Ícaro Lira, Jarbas Lopes, João Modé, José Bento, Lais Myrrha, Laura Lima, Lydia Okumura, Maria Laet, Maria Nepomuceno, Martha Araújo, Opavivará, Paulo Paes, Renata Lucas, Ricardo Basbaum, Rodrigo Torres, Stuart Brisley, Thiago Rocha

Installation view. Courtesy: Galeria Jaqueline Martins. Photo: Ding Musa. Installation view. Courtesy: Galeria Jaqueline Martins. Photo: Ding Musa. Installation view. Courtesy: Galeria Jaqueline Martins. Photo: Ding Musa. Artists: 3Nós3, Adriano Amaral, Ana Mazzei, Arjan Martins, Bill Lundberg, Cabelo, Charbel-joseph H. Boutros, Daniel de Paula, Débora Bolsoni, Guga Ferraz, Hudinilson Jr., Ícaro Lira, Jarbas Lopes, João Modé,

Interregnum Interregnum

Interregnum

Stuart Brisley

Galeria Jaqueline Martins São Paulo, Brazil 09/03/2016 – 10/22/2016

This is what a performance is: a live proposal in the present-future, a present that is caught between an anticipated future and a past memory. There is an idiomatic expression in English language: the elephant in the room. It means that there is an obvious great issue which is visible to everyone but no one

This is what a performance is: a live proposal in the present-future, a present that is caught between an anticipated future and a past memory. There is an idiomatic expression in English language: the elephant in the room. It means that there is an obvious great issue which is visible to everyone but no one

ARCO Madrid 2016 ARCO Madrid 2016

ARCO Madrid 2016

By Rosa Lleó Madrid, Spain 02/24/2016 – 02/28/2016

As a reader, articles on art fairs are the texts I take up when I have my coffee —or in quick, uncomplicated moments of procrastination. They receive the same short-span attention we tired spectators offer up in person at the events they describe. The most feasible option for writers —aware that a detailed analysis of

Como lectora, los artículos sobre ferias son textos que leo mientras tomo el café o en momentos de procrastinación, rápidos y sencillos. Se les dedica el mismo tipo de corta atención que la que tenemos como espectadores cansados en estos eventos. Para el que escribe, consciente de que el análisis detallado en ese lugar de

O instante interminável O instante interminável

O instante interminável

Lais Myrrha

Galeria Jaqueline Martins São Paulo, Brazil 08/11/2015 – 10/10/2015

“The Destructive Character” (1931) by Walter Benjamin, and “Na Europa, a casa do homem ruiu” [In Europe, Man’s Home has Collapsed] (1947), by Lina Bo Bardi. It could equally be Claude Lévi-Strauss’ commentary on modern cities in “Tristes Tropiques” (1955), or Albert Camus’ profile of the absurd man in “The Myth of Sisyphus” (1942), or even W. G. Sebald’s

“The Destructive Character” (1931) by Walter Benjamin, and “Na Europa, a casa do homem ruiu” [In Europe, Man’s Home has Collapsed] (1947), by Lina Bo Bardi. It could equally be Claude Lévi-Strauss’ commentary on modern cities in “Tristes Tropiques” (1955), or Albert Camus’ profile of the absurd man in “The Myth of Sisyphus” (1942), or even W. G. Sebald’s

Batalhão de Telegrafistas Batalhão de Telegrafistas

Batalhão de Telegrafistas

Curated by Fernando Oliva and Tobi Maier

Galeria Jaqueline Martins São Paulo, Brazil 07/04/2014 – 08/16/2014

Artists: Alexandre Brandão, Almandrade, Andrzej Dudek-Dürer, Charbel-joseph H. Boutros, Chris Marker, Edgard de Souza, Ilene Segalove, John Kelsey, Karin Sander, Mario Ishikawa, Anna Bella Geiger, Moyra Davey, Nana Mendes da Rocha & Serguei Dias, Roberto Winter, Walead Beshty, Ze Frank, Francesca Woodman, and selected works from the mail art archives of Gastão de Magalhães, f.

Artists: Alexandre Brandão, Almandrade, Andrzej Dudek-Dürer, Charbel-joseph H. Boutros, Chris Marker, Edgard de Souza, Ilene Segalove, John Kelsey, Karin Sander, Mario Ishikawa, Anna Bella Geiger, Moyra Davey, Nana Mendes da Rocha & Serguei Dias, Roberto Winter, Walead Beshty, Ze Frank, Francesca Woodman, and selected works from the mail art archives of Gastão de Magalhães, f.

“POSIÇÃO AMOROSA” (“AMOROUS POSITION”) “POSIÇÃO AMOROSA” (“AMOROUS POSITION”)

“POSIÇÃO AMOROSA” (“AMOROUS POSITION”)

Hudinilson Jr.

Galeria Jaqueline Martins São Paulo, Brazil 03/26/2014 – 05/10/2014

Curator : Marcio Harum The exhibition explores elements of marginality and subversion in the artistic production of Hudinilson Jr. Galeria Jaqueline Martins presents an exhibition on the work produced by the artist Hudinilson Jr., who passed away in August 2013, when his work caught the attention of important national and international institutions. Curated by Marcio Harum,

Curator : Marcio Harum   The exhibition explores elements of marginality and subversion in the artistic production of Hudinilson Jr. Galeria Jaqueline Martins presents an exhibition on the work produced by the artist Hudinilson Jr., who passed away in August 2013, when his work caught the attention of important national and international institutions. Curated by Marcio