Contemporary Art in the Americas Arte Contemporáneo en las Américas
Capital Capital

Capital Capital

Curada por Karla Kaplun y Wendy Cabrera Rubio

Galería Libertad Querétaro, México 01/11/2018 – 02/09/2018

La postal de una ciudad está en el escaparate de una tienda de souvenirs. En ella aparece el monumento que se erigió al personaje que cambió, según la historia, el rumbo de la entidad. Al lado, dulces típicos, telas producidas por los originarios del pueblo. Al fondo, un póster promocionando una cabalgata quiada por la

Vista de la exhibición grupal Capital Capital, Galería Libertad, Querétaro, México, 2018. Cortesía de Galería Libertad Vista de la exhibición grupal Capital Capital, Galería Libertad, Querétaro, México, 2018. Cortesía de Galería Libertad Vista de la exhibición grupal Capital Capital, Galería Libertad, Querétaro, México, 2018. Cortesía de Galería Libertad La postal de una ciudad está en

Cultural Representation and the Demise of NAFTA Cultural Representation and the Demise of NAFTA

Cultural Representation and the Demise of NAFTA

by Eduardo Abaroa

Eduardo Abaroa and Rubén Ortíz-Torres talk about the art scenes in LA and Mexico City framed by globalization in a neoliberal era. Eduardo Abaroa: I want to begin by recalling a discussion we had many times while I was living in Los Angeles, your adopted city. Why is there so little contact between the art

Eduardo Abaroa and Rubén Ortíz-Torres talk about the art scenes in LA and Mexico City framed by globalization in a neoliberal era. Eduardo Abaroa; Total Destruction of the Anthropology Museum (Photoshop), 2016. Photographic mural. Photo courtesy of the artist Eduardo Abaroa: I want to begin by recalling a discussion we had many times while I

Tipología del estorbo: Eduardo Abaroa at Museo Amparo, Puebla, México Tipología del estorbo: Eduardo Abaroa at Museo Amparo, Puebla, México

Tipología del estorbo: Eduardo Abaroa at Museo Amparo, Puebla, México

By Dorothée Dupuis Puebla, México 06/10/2017 – 10/02/2017

As art historian Daniel Montero has shown in his excellent study on Mexican contemporary art in the 1990s, El cubo de Rubik, Eduardo Abaroa figures among the most important artists that drove that time, as an early member of the group represented at Mexico City’s famed kurimanzutto Gallery that also included Gabriel Orozco, Abraham Cruzvillegas

Installation view. Eduardo Abaroa, Tipología del estorbo, 2017. Image courtesy of Museo Amparo, Puebla. Eduardo Abaroa, como lo demuestra el historiador de arte Daniel Montero en su excelente libro El cubo de Rubik sobre arte contemporáneo en México en los noventas, es parte de los artistas elementales que impulsaron aquella época, miembro temprano de la

SITAC 2016: Annual International Theory Symposium on Contemporary Art SITAC 2016: Annual International Theory Symposium on Contemporary Art

SITAC 2016: Annual International Theory Symposium on Contemporary Art

By Eduardo Abaroa Mexico City 04/15/2016 – 04/16/2016

SITAC: THE THIRTEENTH ANNUAL INTERNATIONAL THEORY SYMPOSIUM ON CONTEMPORARY ART. MEXICO CITY, 2016 April 2016 saw realization of Phase I at SITAC XIII, entitled “Nadie es inocente” (“No One Is Innocent”) a symposium given over to discussions of “the limits between the public and the private; the State’s role in producing and distributing contemporary creation; the

Simposio internacional de Teoría sobre Arte Contemporáneo XIII, 2016. Conversación entre Pascal Gielen y Marina Vischmid. Moderador: Brenda Caro. Este mes de abril se llevó a cabo la primera fase del SITAC XIII: “Nadie es inocente”, dedicado a discutir “los límites entre lo público y lo privado; el papel del Estado en la producción y

#1: Cartagena #1: Cartagena

#1: Cartagena

Cartagena de Indias Atlántico, Colombia 02/07/2014 – 04/07/2014

Curators : Berta Sichel with co-curators Bisi Silva, Barbara Krulik, Paul Willemsen (International exhibition) and Miguel Gonzalez, Gabriela Rangel, Stephanie Rosenthal (Colombian artists exhibition) #1: Cartagena is an issue-oriented project with works spread throughout the historic district. #1: Cartagena reflects on the cultural traditions of the people, the history and the deep connections to the colonial past, as well

Curators : Berta Sichel with co-curators Bisi Silva, Barbara Krulik, Paul Willemsen (International exhibition) and Miguel Gonzalez, Gabriela Rangel, Stephanie Rosenthal (Colombian artists exhibition)     #1: Cartagena is an issue-oriented project with works spread throughout the historic district. #1: Cartagena reflects on the cultural traditions of the people, the history and the deep connections to the colonial past,