Contemporary Art in the Americas Arte Contemporáneo en las Américas
Nunca Godo

Nunca Godo

Diego Salvador Ríos

Lodos Ciudad de México 10/07/2017 – 11/18/2017

Diego, papito, papá Pinillos, Before the past takes everything away, I would like to share with you some images that have stuck in my head. Actually, they all talk about the past, so don’t feel the need to trust them. Inevitably they will disappear. They are only representations. Ideas about you. Or rather, reproductions of

Installation view. Diego Salvador Rios, Nunca Godo, 2017. Imagen cortesía de Lodos. Installation view. Diego Salvador Rios, Nunca Godo, 2017. Imagen cortesía de Lodos. Installation view. Diego Salvador Rios, Nunca Godo, 2017. Imagen cortesía de Lodos. Diego, papito, papá Pinillos, Antes de que todo se lo lleve el pasado, quisiera compartirte algunas imágenes que se

El eje del mal

El eje del mal

Radamés "Juni" Figueroa, Adriana Lara, Adriana Martínez, and more...

Ruberta Los Angeles, California, USA 09/10/2017 – 10/22/2017

El eje del mal is the inaugural exhibition at Ruberta, a new collaborative exhibition space in Glendale shared by Galería Agustina Ferreyra (Mexico City / San Juan), Lodos (Mexico City), Proyectos Ultravioleta (Guatemala City), CARNE (Bogota), and BWSMX (Mexico City). Each year, Ruberta will play host to one group exhibition involving all of the participating

Installation view (Diego Salvador Rios, Radamés “Juni” Figueroa, Mariana Murcia). Image courtesy of Ruberta. Cristina Tufiño, Lady Joker, 2017. Cold-finished ceramic. 8” x 7” x 4”. Image courtesy of Ruberta. Cristina Tufiño, Laugh Now Cry Later, 2017. Vinyl on wall. Variable dimensions. Image courtesy of Ruberta. El eje del mal es la exposición con la que se

Círculos concéntricos Círculos concéntricos

Círculos concéntricos

Nicole-Antonia Spagnola, Diego Salvador Rios, Bedros Yeretzian and Michael Ray-Von

Amor Mexico City 07/15/2017 – 07/30/2017

Concentric circles intersect and avoid each other altogether. The room is wrapped by 4 thin, painted stripes. They are silver, brown, red, and green, in turns. A vinyl text in ransom note font is affixed along them reading something with a feudal timbre. The text itself, in addressing some external unknown party, releases the reader of responsibility to

Installation view. Círculos concéntricos at Amor, Mexico City. Image courtesy of Amor. Michael Ray-Von, A room is a portmanteau of things and other things. 2017. Brass. 30 x 100 cm. Image courtesy of Amor. Círculos concéntricos se cruzan y evitan unos entre otros. El espacio está envuelto por 4 delgadas franjas pintadas: plata, café, rojo y verde –una

Se nos cayó el teatro Se nos cayó el teatro

Se nos cayó el teatro

Temra Pavlović, Noa4s, Diego Salvador Rios, and more...

Lodos Mexico City, México 12/08/2016 – 01/31/2017

Artists: Temra Pavlović, Noa4s (Noah Barker + Oa4s), Diego Salvador Rios, Lewis Teague Wright, Dave Miko, Veit Laurent Kurz, Anna-Sophie Berger, Adriana Lara. (Translated from Spanish) We are in Mexico City, it is night, and in a few hours it will be day. It all begins Thursday December 8, 2016. I remember that night I read

Installation view, 2016. Courtesy of the artists and Lodos, Mexico City. Photo: PJ Rountree. Installation view, 2016. Courtesy of the artists and Lodos, Mexico City. Photo: PJ Rountree. Adriana Lara, La Pintura Contrataca, Colección Primavera/Verano 2012, 2012. 16mm transferred to HD video, laser level. 6:53 min. Courtesy of the artists and Lodos, Mexico City. Photo:

MARGINALIA #19

MARGINALIA #19

Diego Salvador Rios 10/01/2016 – 10/31/2016

Rear Camera: 3.2mpx (2048 x 1536) of a cell phone brand Lanix model Ilium S120 (who wants to be a tree when it grows up) speculates the motives and reasons for its existence while reciting improvised poetry and reviews its most memorable photographs -those that make it remember the iconic moments of its existence ~

La cámara trasera: 3.2mpx (2048 x 1536) de un teléfono celular marca Lanix modelo Ilium S120 (que quiere ser un árbol cuando sea grande) especula los motivos y razones de su existencia mientras recita poesía improvisada y repasa sus fotografías más memorables —aquellas que le hacen recordar los momentos emblemáticos de su existencia~ Soñado por