Contemporary Art in the Americas Arte Contemporáneo en las Américas
Casa Tomada

Casa Tomada

Curated by Anna Goetz

Calle 22 12BIS, San Pedro de los Pinos Ciudad de México, México 04/07/2018 – 05/05/2018

  I wanted to reconstruct that space and enter it so I could feel real again. [1] Casa Tomada, the independent exhibition project, is inspired by Tom McCarthy’s novel Remainder (2006), and by Julio Cortázar’s title-giving short story, Casa Tomada (1946). In McCarthy’s Remainder, the protagonist questions the authenticity of the world as he experiences it—he

  Detail of Ed Atkins, Hisser, 2015. Courtesy of Anna Goetz Francesco Pedraglio, Oxford University Church of St. Mary the Virgin, UK, 1811, 2018. Courtesy of Anna Goetz Gina Folly, Double Fantasy VIII-X, 2018. Courtesy of Anna Goetz I wanted to reconstruct that space and enter it so I could feel real again. [1] Casa Tomada, the

Selected Drawings

Selected Drawings

Elsa-Louise Manceaux and Diego Salvador Rios

Ruberta Glendale, California, USA 01/20/2018 – 02/18/2018

Lodos presents Selected Drawings, a two-person exhibition by Mexico City-based artists Elsa-Louise Manceaux and Diego Salvador Rios. The show is comprised of a selection of drawings made between 2008 and 2018. Selected Drawings is an attempt to map a daily occurrence in both artists’ practices. Both Manceaux and Salvador Rios see drawing as research towards different

Elsa-Louise Manceaux and Diego Salvador Rios. Installation view of Selected Drawings, Ruberta, Los Angeles, 2018. Courtesy of Ruberta Elsa-Louise Manceaux and Diego Salvador Rios. Installation view of Selected Drawings, Ruberta, Los Angeles, 2018. Courtesy of Ruberta Elsa-Louise Manceaux and Diego Salvador Rios. Installation view of Selected Drawings, Ruberta, Los Angeles, 2018. Courtesy of Ruberta Lodos

Nunca Godo

Nunca Godo

Diego Salvador Ríos

Lodos Ciudad de México 10/07/2017 – 11/18/2017

Diego, papito, papá Pinillos, Before the past takes everything away, I would like to share with you some images that have stuck in my head. Actually, they all talk about the past, so don’t feel the need to trust them. Inevitably they will disappear. They are only representations. Ideas about you. Or rather, reproductions of

Installation view. Diego Salvador Rios, Nunca Godo, 2017. Imagen cortesía de Lodos. Installation view. Diego Salvador Rios, Nunca Godo, 2017. Imagen cortesía de Lodos. Installation view. Diego Salvador Rios, Nunca Godo, 2017. Imagen cortesía de Lodos. Diego, papito, papá Pinillos, Antes de que todo se lo lleve el pasado, quisiera compartirte algunas imágenes que se

El eje del mal

El eje del mal

Radamés "Juni" Figueroa, Adriana Lara, Adriana Martínez, and more...

Ruberta Los Angeles, California, USA 09/10/2017 – 10/22/2017

El eje del mal is the inaugural exhibition at Ruberta, a new collaborative exhibition space in Glendale shared by Galería Agustina Ferreyra (Mexico City / San Juan), Lodos (Mexico City), Proyectos Ultravioleta (Guatemala City), CARNE (Bogota), and BWSMX (Mexico City). Each year, Ruberta will play host to one group exhibition involving all of the participating

Installation view (Diego Salvador Rios, Radamés “Juni” Figueroa, Mariana Murcia). Image courtesy of Ruberta. Cristina Tufiño, Lady Joker, 2017. Cold-finished ceramic. 8” x 7” x 4”. Image courtesy of Ruberta. Cristina Tufiño, Laugh Now Cry Later, 2017. Vinyl on wall. Variable dimensions. Image courtesy of Ruberta. El eje del mal es la exposición con la que se

Círculos concéntricos Círculos concéntricos

Círculos concéntricos

Nicole-Antonia Spagnola, Diego Salvador Rios, Bedros Yeretzian and Michael Ray-Von

Amor Mexico City 07/15/2017 – 07/30/2017

  Diego Salvador Ríos, M_++S ~, 2008. Video, 11’07”. Concentric circles intersect and avoid each other altogether. The room is wrapped by 4 thin, painted stripes. They are silver, brown, red, and green, in turns. A vinyl text in ransom note font is affixed along them reading something with a feudal timbre. The text itself, in addressing some

Installation view. Círculos concéntricos at Amor, Mexico City. Image courtesy of Amor. Michael Ray-Von, A room is a portmanteau of things and other things. 2017. Brass. 30 x 100 cm. Image courtesy of Amor. Círculos concéntricos se cruzan y evitan unos entre otros. El espacio está envuelto por 4 delgadas franjas pintadas: plata, café, rojo y verde –una

Se nos cayó el teatro Se nos cayó el teatro

Se nos cayó el teatro

Temra Pavlović, Noa4s, Diego Salvador Rios, and more...

Lodos Mexico City, México 12/08/2016 – 01/31/2017

Artists: Temra Pavlović, Noa4s (Noah Barker + Oa4s), Diego Salvador Rios, Lewis Teague Wright, Dave Miko, Veit Laurent Kurz, Anna-Sophie Berger, Adriana Lara. (Translated from Spanish) We are in Mexico City, it is night, and in a few hours it will be day. It all begins Thursday December 8, 2016. I remember that night I read

Installation view, 2016. Courtesy of the artists and Lodos, Mexico City. Photo: PJ Rountree. Installation view, 2016. Courtesy of the artists and Lodos, Mexico City. Photo: PJ Rountree. Adriana Lara, La Pintura Contrataca, Colección Primavera/Verano 2012, 2012. 16mm transferred to HD video, laser level. 6:53 min. Courtesy of the artists and Lodos, Mexico City. Photo:

MARGINALIA #19

MARGINALIA #19

Diego Salvador Rios 10/01/2016 – 10/31/2016

Every month Marginalia invites an artist, curator or project to provide a series of images that will serve as the background of Terremoto, in relation to their practice and current interests. At the end of each month, the identity of our guest is revealed and the whole series of images is unveiled.   Rear Camera: 3.2mpx (2048

Marginalia consiste en la invitación mensual a un artista, curador o proyecto a escoger una serie de imágenes para el fondo de la página de Terremoto en relación con su práctica e intereses del momento. A final de cada mes se revela la identidad del invitadx y se pueden descubrir las imágenes en conjunto.   La