Contemporary Art in the Americas Arte Contemporáneo en las Américas
STRUCC STRUCC

STRUCC

Elsoldelrac

Deslave Tijuana, México 04/21/2018 – 05/15/2018

The installation operates by means of a symbolic privatization of the public space of an exhibition. – Boris Groys Starting from an individual cosmology that takes into account his cultural heritage, Elsoldelrac (b. 1992, Tijuana) creates objects that serve as evidence of their times through their symbolism, actions, and materials. His production process transits between

Elsoldelrac. Vista de la instalación STRUCC en Espacio Deslave, Tijuana, México, 2018. Cortesía de Espacio Deslave Elsoldelrac. Vista de la instalación STRUCC en Espacio Deslave, Tijuana, México, 2018. Cortesía de Espacio Deslave Elsoldelrac. Vista de la instalación STRUCC en Espacio Deslave, Tijuana, México, 2018. Cortesía de Espacio Deslave La instalación opera como un modo de

SITAC 2016: Annual International Theory Symposium on Contemporary Art SITAC 2016: Annual International Theory Symposium on Contemporary Art

SITAC 2016: Annual International Theory Symposium on Contemporary Art

By Eduardo Abaroa Mexico City 04/15/2016 – 04/16/2016

SITAC: THE THIRTEENTH ANNUAL INTERNATIONAL THEORY SYMPOSIUM ON CONTEMPORARY ART. MEXICO CITY, 2016 April 2016 saw realization of Phase I at SITAC XIII, entitled “Nadie es inocente” (“No One Is Innocent”) a symposium given over to discussions of “the limits between the public and the private; the State’s role in producing and distributing contemporary creation; the

Simposio internacional de Teoría sobre Arte Contemporáneo XIII, 2016. Conversación entre Pascal Gielen y Marina Vischmid. Moderador: Brenda Caro. Este mes de abril se llevó a cabo la primera fase del SITAC XIII: “Nadie es inocente”, dedicado a discutir “los límites entre lo público y lo privado; el papel del Estado en la producción y