Contemporary Art in the Americas Arte Contemporáneo en las Américas
Made in L.A. 2018, at Hammer Museum, Los Angeles, USA Made in L.A. 2018, at Hammer Museum, Los Angeles, USA

Made in L.A. 2018, at Hammer Museum, Los Angeles, USA

By Carribean Fragoza Los Angeles, California, USA 06/03/2018 – 09/02/2018

Imaginemos Cosas Chingonas: Astonishment and vision in Made in L.A. 2018 Think back to the last time you were astonished by something. I mean genuinely, viscerally astonished so that you felt gripped or overwhelmed in spite of yourself. Astonishment at an art show for the regular art-goer, like blushing for a correteadx, is hard to

Beatriz Cortez, vista de instalación, Made in L.A. 2018, 3 de junio – 2 de septiembre, 2018, Hammer Museum, Los Ángeles. Foto: Brian Forrest. Imagen cortesía de Hammer Museum. Imaginemos cosas chingonas: asombro y visión en Made in L.A. 2018 Piensa en la última vez que te asombró algo. Me refiero a estar asombrado genuinamente,

Pasado mañana Pasado mañana

Pasado mañana

Beatriz Cortez and Rafa Esparza

Commonwealth and Council Los Angeles, USA 01/20/2018 – 03/03/2018

Commonwealth and Council presents Pasado mañana, an exhibition of new work by Beatriz Cortez and Rafa Esparza. Together, they posit immigrant labor as a foundation for building a future in which multiple imaginaries of gender, race, class, and culture become possible. “Pasado mañana,” Spanish for “the day after tomorrow,” translates literally as “when tomorrow has

Beatriz Cortez and Rafa Esparza. Exhibition view of Pasado mañana at Commonwealth and Council, Los Angeles, California, USA, 2018. Courtesy of the artists and Commonwealth and Council, Los Angeles. Photo: Ruben Diaz Beatriz Cortez and Rafa Esparza. Exhibition view of Pasado mañana at Commonwealth and Council, Los Angeles, California, USA, 2018. Courtesy of the artists

Tierra. Sangre. Oro. Tierra. Sangre. Oro.

Tierra. Sangre. Oro.

A project by Rafa Esparza

Ballroom Marfa Marfa, Texas, USA 08/25/2017 – 03/18/2018

Tierra. Sangre. Oro. is a group exhibition envisioned by Rafa Esparza that includes new work by Carmen Argote, Beatriz Cortez, Esparza, Timo Fahler, Eamon Ore-Giron; new and existing photographs by Star Montana; a major body of work by Nao Bustamante; the contributions of adoberos/artists Sandro Cánovas, Maria Garcia, Ruben Rodriguez, as well as many hands from the community

Installation view: (on top) Eamon Ore-Giron, Talking Shit With Quetzalcoatl/ I Like Mexico and Mexico Likes Me, 2017. Wool, copper, adobe. Courtesy the artist; (on the bottom) Rafa Esparza, Raised Adobe Ground for Talking Shit With Quetzalcoatl, 2017. Adobe. Courtesy the artist. Image courtesy of Ballroom Marfa. Carmen Argote, Hunting and Gathering, 2017. Acrylic on muslin fabric, cardboard