Contemporary Art in the Americas Arte Contemporáneo en las Américas
imannam imannam

imannam

Curated by Tania Rivera

PIVÔ São Paulo, Brazil 04/08/2018 – 06/02/2018

Opening the activities of its Annual Exhibitions Program, Pivô presents imannam, by Brazilian artists Ana Linnemann, Anna Maria Maiolino and Laura Lima, curated by Tania Rivera. Adding to the show, a graphic piece made by Colombian artist Bernardo Ortiz is displayed in the central column of Pivô’s reception. imannam is an encounter of the three

Ana Linnemann, Anna Maria Maiolino and Laura Lima. Exhibition view of imannam, at PIVÔ, São Paulo, Brazil, 2018. Courtesy of PIVÔ Ana Linnemann, Anna Maria Maiolino and Laura Lima. Exhibition view of imannam, at PIVÔ, São Paulo, Brazil, 2018. Courtesy of PIVÔ Ana Linnemann, Anna Maria Maiolino and Laura Lima. Exhibition view of imannam, at PIVÔ, São Paulo, Brazil, 2018. Courtesy of PIVÔ Opening

STRUCC STRUCC

STRUCC

Elsoldelrac

Deslave Tijuana, México 04/21/2018 – 05/15/2018

The installation operates by means of a symbolic privatization of the public space of an exhibition. – Boris Groys Starting from an individual cosmology that takes into account his cultural heritage, Elsoldelrac (b. 1992, Tijuana) creates objects that serve as evidence of their times through their symbolism, actions, and materials. His production process transits between

Elsoldelrac. Vista de la instalación STRUCC en Espacio Deslave, Tijuana, México, 2018. Cortesía de Espacio Deslave Elsoldelrac. Vista de la instalación STRUCC en Espacio Deslave, Tijuana, México, 2018. Cortesía de Espacio Deslave Elsoldelrac. Vista de la instalación STRUCC en Espacio Deslave, Tijuana, México, 2018. Cortesía de Espacio Deslave La instalación opera como un modo de

Una noche de verdad dentro de una noche de verano

Una noche de verdad dentro de una noche de verano

Felipe Mujica

(bis) | oficina de proyectos Cali, Colombia 04/12/2018 – 05/25/2018

El penúltimo chileno en Nueva York A Felipe le gusta un tipo de hot dog chileno que tiene palta (aguacate), mayonesa, tomate, chucrut, queso derretido, salsa americana, salsa verde ¡y más!, etcétera. En pan de hot dog con salchicha blanda, se llama COMPLETO. Es una mezcolanza y exceso de sabores, todos medio mojaditos. Ese exceso,

Felipe Mujica. Vista de la exposición Una noche de verdad dentro de una noche de verano, en (bis) | oficina de proyectos. Cali, Colombia, 2018. Cortesía de (bis) | oficina de proyectos Felipe Mujica. Vista de la exposición Una noche de verdad dentro de una noche de verano, en (bis) | oficina de proyectos. Cali,

#00Bienal de La Habana: Aldeide Delgado en conversación con Yanelys Núñez y Luis Manuel Otero #00Bienal de La Habana: Aldeide Delgado en conversación con Yanelys Núñez y Luis Manuel Otero

#00Bienal de La Habana: Aldeide Delgado en conversación con Yanelys Núñez y Luis Manuel Otero

por Aldeide Delgado La Habana, Cuba 05/05/2018 – 05/15/2018

Havana #00Biennial: Aldeide Delgado in conversation with Yanelys Núñez and Luis Manuel Otero Beyond the Political: The Human, Love and Creation Recognized as the most significant event of the visual arts in Cuba, the reactions to the cancellation of the 13th Havana Biennial due to the effects of hurricane Irma on Cuban cultural institutions did

Imagen tomada de Instagram (usuario: @luzzescobar) Más allá de lo político: lo humano, el amor y la creación Reconocido como el evento más significativo de las artes visuales en Cuba, las reacciones ante la cancelación de la 13ª Bienal de La Habana debido a los efectos del huracán Irma en las instituciones culturales cubanas no

Dora de Larios: Other Worlds Dora de Larios: Other Worlds

Dora de Larios: Other Worlds

Dora de Larios

The Main Museum Los Angeles, California, USA 02/25/2018 – 05/13/2018

The Main Museum in Downtown Los Angeles presents Dora De Larios: Other Worlds, an exhibition highlighting the work of L.A. native and noted ceramist Dora De Larios, one the city’s most vital, yet under-recognized artists. Dora De Larios: Other Worlds showcases work from the artist’s six-decade-long career and will inaugurate the new 2,750-square-foot mezzanine gallery,

Dora de Larios. Vista de la exposición Other Worlds, en The Main Museum, Los Ángeles, California, USA, 2018. Cortesía de The Main Museum Dora de Larios. Vista de la exposición Other Worlds, en The Main Museum, Los Ángeles, California, USA, 2018. Cortesía de The Main Museum Dora de Larios. Vista de la exposición Other Worlds, en The Main

Spring 2018 International Artist-in-Residence at Artpace

Spring 2018 International Artist-in-Residence at Artpace

Rafa Esparza, Kapwani Kiwanga, Carlos Rosales-Silva

Artpace San Antonio, Texas, USA 03/22/2018 – 05/13/2018

ring the bells that still can ring… there is a crack in everything Kapwani Kiwanga In her most recent works, Kapwani Kiwanga appears like a scientist, mobilizing her knowledge in social sciences to develop research projects. Following a singular methodology, she creates specific protocols she uses like filters to observe specificities and capacity to change

Kapwani Kiwanga. Vista de instalación de Suena las campanas que aún suenen…En todo hay grietas, en Artpace, Texas, EE.UU., 2018. Comisionada y producida por Artpace San Antonio. Foto por Charlie Kitchen Suena las campanas que aún suenen… En todo hay grietas Kapwani Kiwanga En sus obras más recientes Kapwani Kiwanga se muestra como una científica,

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Dave Miko

Nkame: A Retrospective of Cuban Printmaker Belkis Ayón (1967–1999)

Nkame: A Retrospective of Cuban Printmaker Belkis Ayón (1967–1999)

Belkis Ayón

Kemper Museum of Contemporary Art Kansas City, Missouri, USA 01/25/2018 – 05/29/2018

Cuban artist Belkis Ayón (1967–1999) died at age thirty-two, leaving behind a body of work of considerable importance for the history of contemporary printmaking. Her death remains a painful mystery for the national and international art community that had witnessed with admiration her successful rise to the most demanding artistic circles of the 1990s. Sixteen

Exhibition view of Nkame: A Retrospective of Cuban Printmaker Belkis Ayón (1967–1999), at Kemper Museum of Contemporary Art, USA, 2018. Courtesy Estate of Belkis Ayón Exhibition view of Nkame: A Retrospective of Cuban Printmaker Belkis Ayón (1967–1999), at Kemper Museum of Contemporary Art, USA, 2018. Courtesy Estate of Belkis Ayón Exhibition view of Nkame: A

10 Mythical Exhibitions from Latin America that Millennials Never Got to See — Part II

10 Mythical Exhibitions from Latin America that Millennials Never Got to See — Part II

  6. La plástica joven se dedica al béisbol [Young Artists Take Up Baseball] Collective performance September 24, 1989 Concept by Hubert Moreno, organized by Abdel Hernández Círculo Social Obrero José Antonio Echevarría La Habana, Cuba By Direlia Lazo Independent curator and writer based in Miami, USA Since they weren’t allowed to exhibit, the Cuban

Casa Tomada

Casa Tomada

Curated by Anna Goetz

Calle 22 12BIS, San Pedro de los Pinos Ciudad de México, México 04/07/2018 – 05/05/2018

  I wanted to reconstruct that space and enter it so I could feel real again. [1] Casa Tomada, the independent exhibition project, is inspired by Tom McCarthy’s novel Remainder (2006), and by Julio Cortázar’s title-giving short story, Casa Tomada (1946). In McCarthy’s Remainder, the protagonist questions the authenticity of the world as he experiences it—he

  Detail of Ed Atkins, Hisser, 2015. Courtesy of Anna Goetz Francesco Pedraglio, Oxford University Church of St. Mary the Virgin, UK, 1811, 2018. Courtesy of Anna Goetz Gina Folly, Double Fantasy VIII-X, 2018. Courtesy of Anna Goetz I wanted to reconstruct that space and enter it so I could feel real again. [1] Casa Tomada, the

Frente de trabalho Frente de trabalho

Frente de trabalho

Ícaro Lira

Galeria Jaqueline Martins São Paulo, Brazil 04/07/2018 – 05/12/2018

Recently opened in São Paulo, Frente de trabalho (Work Group) by Ícaro Lira (1986, Fortaleza) is the artist’s first solo show at gallery Jaqueline Martins, and a great opportunity for delving deeper into the connections that art can build with myriad social, political and cultural contexts. Amid the vibrant, festive feel of events held alongside

Ícaro Lira. Exhibition view of Frente de Trabalho, Galeria Jaqueline Martins, São Paulo, Brazil, 2018. Courtesy of Galeria Jaqueline Martins Ícaro Lira. Exhibition view of Frente de Trabalho, Galeria Jaqueline Martins, São Paulo, Brazil, 2018. Courtesy of Galeria Jaqueline Martins Ícaro Lira. Exhibition view of Frente de Trabalho, Galeria Jaqueline Martins, São Paulo, Brazil, 2018. Courtesy of Galeria Jaqueline Martins Recently