Contemporary Art in the Americas Arte Contemporáneo en las Américas

ground

Matthew Schrader

Radical Abacus Santa Fe, New Mexico, USA 06/02/2017 – 07/02/2017

Installation view. Matthew Schrader, ground, 2017. Courtesy of Radical Abacus, Santa Fe.

Untitled (I passed into the social space), 2017. Photograph. Courtesy of Radical Abacus, Santa Fe

Untitled (or solid particles, that form a residue or sediment or land of a specified kind or an area of enclosed land surrounding a house or building or get low get low get low get low), 2017. Removal of gallery lights, medium amber lighting gels and neodymium magnets. Courtesy of Radical Abacus, Santa Fe

Curated by John McKissick

Work and shock and floor: the infrastructure of flows might carry and problematize a schema for installation and composition. As conductive paths model charged unity and the conditions of entropic asymmetry that make cohesiveness possible. Staking the whole construction to an outside, dependent on earthen disparity, a sink for stray voltage. Exteriority, analogy or not, grounds and dissipates the excessive fact.

JM

or solid particles, that form a residue or sediment or land of a specified kind or an area of enclosed land surrounding a house or building or get low get low get low get low or (Cecilia Vicuña, from Quipoem) “I passed into the social space,” the object said, repeating the slogans of the time, “from private to communal property.”

MS

http://radicalabacus.com/

Installation view. Matthew Schrader, ground, 2017. Courtesy of Radical Abacus, Santa Fe.

Untitled (I passed into the social space), 2017. Photograph. Courtesy of Radical Abacus, Santa Fe

Untitled (or solid particles, that form a residue or sediment or land of a specified kind or an area of enclosed land surrounding a house or building or get low get low get low get low), 2017. Removal of gallery lights, medium amber lighting gels and neodymium magnets. Courtesy of Radical Abacus, Santa Fe

Curated by John McKissick

Work and shock and floor: the infrastructure of flows might carry and problematize a schema for installation and composition. As conductive paths model charged unity and the conditions of entropic asymmetry that make cohesiveness possible. Staking the whole construction to an outside, dependent on earthen disparity, a sink for stray voltage. Exteriority, analogy or not, grounds and dissipates the excessive fact.

JM

or solid particles, that form a residue or sediment or land of a specified kind or an area of enclosed land surrounding a house or building or get low get low get low get low or (Cecilia Vicuña, from Quipoem) “I passed into the social space,” the object said, repeating the slogans of the time, “from private to communal property.”

MS

http://radicalabacus.com/

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